Duke News and Communications ___

Search Duke
 

___
___ ___ ___ ___
New Faculty
___
Teaching Awards
___
Student Scholars
___
Duke News Home
___
Duke Dialogue
___
Duke Home
___


Subscribe to eDuke


Duke Photography


Tell us what you think about Duke's New Faculty site.


 
___ ___ ___
New Faculty 2002
___
Peter Euban

J. Peter Euben Named Kenan Distinguished Faculty Fellow in Ethics

By Wendy Hower

October 25, 2002 | DURHAM, NC -- At the University of California Santa Cruz, J. Peter Euben taught the most popular class on campus, "Political Freedom," routinely packing 650 students into a 500-seat auditorium.

He won four teaching awards. He wrote three books, edited two and had several more on the way. His vitae was six pages long.

At 63, Euben could have retired with pride after a distinguished 34-year career. Instead he chose to start anew at Duke last spring as research professor of political science.

"I wanted to prove myself again," he says.

Luring him was a new post -- the Kenan Distinguished Faculty Fellow in Ethics - and a group of lively, brilliant colleagues, including his longtime friend, President Nan Keohane.

Just as important, Euben knew his classes would be small enough to know his students better. In a more intimate setting, he would be able to listen to them and make sure they defended themselves well. By learning more from his students, he'd become an even better teacher.

"There's a difference between being a circus performer in front of 650 people," he says, "and being a teacher."

Not that Euben reinvented himself on the East Coast. He brought with him "Political Freedom" and its unconventional syllabus that mixes novels and plays with ancient Greek texts. Almost as soon as he unpacked his dog-eared, heavily lined and highlighted copies of Toni Morrison's Beloved and Plato's Republic at his Perkins office last spring, Euben was generating a bit of a buzz on campus.

"I heard about him from everybody," says Laura Grattan, a first-year graduate student in political science.

When it comes to teaching, Euben has a style and purpose that sets him apart. The way he lobs questions at students, it's tempting to cast him as a modern-day Socrates. He has made a name for himself by applying classical Greek philosophy and culture to today's politics.

With his white temples and mustache, he looks the part of wise sage. But the comparison is shallow: Anyone who takes notes during one of his "Political Freedom" lectures or even meets him for coffee realizes Euben is committed to open-ended discussion. He asks questions -- not to manipulate or push his own views, but to provoke critical thinking, deeper discussions, more difficult arguments.

"I don't think he knows exactly what the answer is to those questions," says Jason Frank, who took Euben's "Political Freedom" course at Santa Cruz and followed him here as a post-doctorate student and visiting assistant professor of political science.

Euben asks the questions to make a person think. Part father figure, part storyteller, part philosopher, Euben pursues serious, and sometimes uncomfortable, discussions with compassion and a touch of humility. The combination of warm, friendly voice and New York accent give him the air of a character actor. And he's funny, injecting humor into the gravest of topics.

At a recent meeting of his graduate seminar "Death and Mourning," Euben shows up early in a dark suit with a blue striped button-down shirt, no tie. He makes himself comfortable with a little AirBack pillow, pours diet root beer into a glass of ice and gets out his yellowed copy of Don DeLillo's novel, White Noise.

Right away, he's challenging the four graduate students around the conference table. He has a bad cold, he tells them.

"Given my state of mind, you'll have to bear most of the burden today," he tells them. "If you came here to have an easy, relaxing time, forget it. It's not going to happen."

It's true. Right away, he stumps them when he asks how it is that truth is unattainable. His eyes are bright, eyebrows up, and he's leaning forward expectantly on his elbows. "How does that change your life?"

Ninety minutes pass quickly as Euben pushes the conversation, peeling back layers of the novel. More than a few times, the students answer with silence.

"Nobody else has anything else to say?" he asks them at one point. "None of you are going to pick up on this?"

Gradually, the students catch up to their teacher. By the end of class, they are sparring with him over "presentism" and the erasure of history for the sake of entertainment. Euben isn't buying their argument. He dissolves into giggles, shoulders heaving, hands over his face.

"I don't know if I should be crying," he gasps.

But Euben has been writing down notes on the students' comments the whole time. He made a point of describing as "excellent" a paper written by one of the students, which influenced part of the afternoon's discussion. As always, he strives for back-and-forth learning with his students.

"I can assure you that every one of my lectures has been shaped by the questions you have asked in class ...," Euben wrote in the essay, "Final Lecture: Political Freedom." "So if this course has mattered to you, you deserve as much of the credit as I do, though I have no intention of sharing my salary with you."

Euben learned the art of debate from his political parents at the dining room table while growing up in New York City. Some of his parents' friends were arrested during the McCarthy era.

His education at Swarthmore College, an inclusive Quaker school in Pennsylvania, further shaped his political mind. He took part in Civil Rights sit-ins at Woolworth counters during the years he earned a bachelor's degree in philosophy and political science.

Euben went on to the University of California, Berkeley, where he studied China and earned a master's in political science.

The free speech movement at Berkeley in the '60s also proved a strong influence on Euben, who joined in anti-war demonstrations.

At Berkeley, he discovered two "unbelievable" professors in political theory who taught him to look to democracy's early roots and led him to earn a doctorate in political science. "These seemingly archaic texts could give you a radical perspective on the present."

In 1968, Euben was attracted to the Santa Cruz campus, where professors worked across disciplines, held smaller classes and gave narrative reviews instead of letter grades. One of his first classes was a senior exit seminar, "Political Responsibility," which he co-taught with a mathematician and a philosopher.

"He hit the ground running as a superlative teacher," says Ann Lane, who took that first class of Euben's and went on to become his good friend and a lecturer at Santa Cruz.

During the anti-war demonstrations, Euben brought students into town residents' homes to talk through the issues. The phrase most associated with Euben was, "So? So what?" Lane says. "There's no such thing as a right line in his class."

Euben developed "Political Freedom" in the early '80s, which eventually grew into a university-wide conversation, Frank says. "It would spill over into other people's classrooms," he says, and late-night dorm room discussions.

At the notion of popularity, Euben almost winces. Near-guru status at Santa Cruz was seductive. He says he began to worry about his own complacency.

"There are people who are brilliant and I ain't one of them," he says. "I just work very hard."

Of course he misses his one-man "Political Freedom" show, although he will teach an introductory version this spring with an expected enrollment of 150 students. So far, Euben feels challenged and intrigued by his new post.

"If I came here to be pushed out of a sense of complacency and comfort," he says, "it's happening."


Related Link

Corrupted Youth


 
___ ___ ___ ___ ___
Audio & Video
___  


Get It Together
"Get It Together" is a video created by students and produced by Duke faculty member John Jackson exploring how young people of all races are transforming their community to protect the environment.

video Click here to view an excerpt of the film.

  ___
___
___
Spotlight
___   Top Ten Iranian Films

Negar Mottahedeh's top choices for Iranian films.


  ___
___ ___ ___ ___ ___ ___